Mexico City, 1934.
Henri Cartier-Bresson :
was born on August 22, 1908 in Chanteloup, France. A pioneer in photojournalism, Cartier-Bresson wandered around the world with his camera, becoming totally immersed in his current environment. Considered one of the major artists of the 20th century, he covered many of the world biggest events from the Spanish Civil War to the French uprisings in 1968.
Description - Analysis :
it is “Gelatin silver print, made by the author in 1946, Collection foundation
Henri, Cartier-Bresson, Paris. The first thing that catches the attention is
the fact that it is a street one taken randomly at the right moment. As typical
of Bresson’s pictures, all his pictures are chances, opportunities and the
photographer has to take at the spur of the moment. It is also an example of a
travel photo, in the sense it captures the ethnic and racial features the
inhabitants of a certain nation or racial group. In fact, this Hispanic woman
is a Mexican mother who has one baby wrapped in a transparent black cloth around
her neck and another girl clinging to her dress. The beauty of the picture is
the deep glance of the woman which is full of melancholy and sadness.
Despite the fact that the picture is taken
without any posing or artificial set or background, yet it is really a work of
art. First, the picture has symmetry as the woman is spatially positioned
between the little girl and the woman walking in the street with her back given
to the viewer. There is a contrast in lighting between the woman’s dark dress
and the lighter background of the shop and the girl’s lighter dress. There is
also a contrast between the clarity of the woman’ face and look as opposed to
the blurry covered baby under wrapped in the veil. The transparent cloth motif
is reiterated in the transparent cloth in the shop behind the woman. Another
contrast is made between the woman who is walking and the still background of
the shop. The sense of movement is reinforced by the other woman with her back
to the viewer. Indirectly, there is a contrast between what the way this woman
in the back is wearing: an elegant goat, hat and elegant shoes as opposed to
the humbler woman who has a light black dress: this might reflect the big
social gap between the rich and the poor, and the problem of social class in
developing countries of Southern America, including Mexico. The picture does
portray the misery of a poor people, as the gaze of the woman is thoughtful.
Probably, she is burdened by the weight of the baby while she is walking. Her
lack of attention to her daughter as she is looking probably at the window
shops indicates that she is burdened with inner thoughts. The picture could be
also a reflection of the poverty of Mexico in those years.
The artist is able to
portray all this without using color as he is able to capture the feelings
surrounding the woman without resorting to colors which might contribute to our
interpretation of the picture. Also the lack of color contributes to creating a
certain seriousness that is important and linked to its subject. The picture
was placed among other pictures of the artist, but given the uniqueness of this
picture, I think it did stand out among other ones and immediately catches the
attention for all the elements discussed earlier.
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